landscape

[siteorigin_widget class="SiteOrigin_Widget_Image_Widget"][/siteorigin_widget][siteorigin_widget class="SiteOrigin_Widget_Button_Widget"][/siteorigin_widget][siteorigin_widget class="SiteOrigin_Widget_Button_Widget"][/siteorigin_widget]Le case di Lois Welzenbacher, dispositivi che reinventano lo spazio alpino The houses of Lois Welzenbacher, devices that reinvent the Alpine space   DOI:10.30682/aa1903l   Antonio De…
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[siteorigin_widget class="SiteOrigin_Widget_Image_Widget"][/siteorigin_widget][siteorigin_widget class="SiteOrigin_Widget_Button_Widget"][/siteorigin_widget][siteorigin_widget class="SiteOrigin_Widget_Button_Widget"][/siteorigin_widget]Is there an autochthonous “Tyrolean Modernism”? DOI:10.30682/aa1903k   Bettina Schlorhaufer   Born in 1963 in Innsbruck, studied art history and history at the Leopold-Franzens University of Innsbruck. …
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[siteorigin_widget class="SiteOrigin_Widget_Image_Widget"][/siteorigin_widget][siteorigin_widget class="SiteOrigin_Widget_Button_Widget"][/siteorigin_widget][siteorigin_widget class="SiteOrigin_Widget_Button_Widget"][/siteorigin_widget]Wie baue ich mein Haus? Edoardo Gellner e il dilemma dell’architetto  Wie baue ich mein Haus? Edoardo Gellner and the architect’s dilemma   DOI:10.30682/aa1903j   Michele Merlo…
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[siteorigin_widget class="SiteOrigin_Widget_Image_Widget"][/siteorigin_widget][siteorigin_widget class="SiteOrigin_Widget_Button_Widget"][/siteorigin_widget][siteorigin_widget class="SiteOrigin_Widget_Button_Widget"][/siteorigin_widget]La “nave” che salpa verso il paesaggio alpino: villa Borsotti a Balme The “ship” that sets sail for the Alpine landscape: Villa Borsotti in Balme   DOI:10.30682/aa1903c…
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[siteorigin_widget class="SiteOrigin_Widget_Image_Widget"][/siteorigin_widget][siteorigin_widget class="SiteOrigin_Widget_Button_Widget"][/siteorigin_widget][siteorigin_widget class="SiteOrigin_Widget_Button_Widget"][/siteorigin_widget]Mirare al paesaggio. La casa Cattaneo di Carlo Mollino sull’altopiano di Agra Aim for the landscape. The Cattaneo house by Carlo Mollino on the Agra plateau  …
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[siteorigin_widget class="SiteOrigin_Widget_Image_Widget"][/siteorigin_widget][siteorigin_widget class="SiteOrigin_Widget_Button_Widget"][/siteorigin_widget][siteorigin_widget class="SiteOrigin_Widget_Button_Widget"][/siteorigin_widget]Rinnovare il patrimonio. Learning from contemporary artists Renew the legacy. Learning from contemporary artists   DOI:10.30682/aa1902h   Gianluca Cepollaro He’s director of the School for Spatial and…
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[siteorigin_widget class="SiteOrigin_Widget_Image_Widget"][/siteorigin_widget][siteorigin_widget class="SiteOrigin_Widget_Button_Widget"][/siteorigin_widget][siteorigin_widget class="SiteOrigin_Widget_Button_Widget"][/siteorigin_widget]Il paesaggio alpino in quanto oggetto patrimoniale The alpine landscape as a heritage object   DOI:10.30682/aa1902b   Michael Jakob He teaches history and landscape theory at Hepia…
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